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Manuscripts

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  • Australian Born Nobel Prize Winner in Chemistry – [Sir] John Warcup Cornforth – Signed manuscript letter

    Australian Born Nobel Prize Winner in Chemistry – [Sir] John Warcup Cornforth – Signed manuscript letter

    A very special letter (dated 1980) not only because of its truly distinguished author but here we have real content. Letters by Nobel Prize winners are not terribly rare but so often are perfunctory, relating to meetings, events or simply lunch. Here we have real, in depth, chemistry. The receiver, Dr Buckel, a distinguished scientist in his own right, may have been rather embarrassed on receipt. Cornforth believes that Buckel had tackled his work from completely the wrong route … indeed Cornforth is puzzled and goes on to set out in great detail his preferred option(s). In our view the content reveals the manner in which Cornforth visualises the solution to the problem from first principles then more complex mechanisms and solutions and alternative options as his thinking develops. The fact of his genius is plain in the writing. We love it.

    The only Australian to date to have won the Nobel Prize for Chemistry.

    Dear Dr Buckel

    Thank you for your letter of 7 October. I was interested by your account of the work with glutaconate, but rather puzzled that you did not try the degradation to malate in the way you say I suggested. I have forgotten the details of our conversation during your very welcome visit, but certainly I would expect direct oxidation of glutaconate to malate by permanganate to be most unfavourable. This is because in glutaconate one has the combination of a double bond deactivated by conjunction with a carboxyl and a strongly activated methylene group. In these circumstances one would expect permanganate to attack the methylene group to a considerable and perhaps predominant extent, before the double bond was attacked. This is why it would be preferable to use a specific agent first to hydroxylate the double bond. Indeed, it should be possible to proceed in high yield to malic acid by making use of the fact that one of the hydroxyl groups will form a lactone. Thus: … chemical formulae.

    He goes on …

    The opening of the lactone ring is generally faster than the hydrolysis of an ester group (especially a benzoate) so that if you put the acetyl or benzoyl-lactone in hot water and neutralized the acidity as it appeared you should be able to get a clean ring-opening without other chemical changes. I really think you should try this – it seems so much simpler than the routes you have explored.

    I will ask at Sittingbourne if they have any chiral acetate left – I brought none of it here. It will be ten years old now and will have lost nearly half its original radioactivity but a specimen tested for chirality about five years ago seemed not to have been racemized by radiolysis or by preservation in the form of aqueous potassium acetate. However, I wonder if this is the best way to make chiral 4-substituted glutamates and I wonder if you could do this from chirally tritiated malate using R-citrate synthetase and malate dehydrogenase, following this by treatment of the citrate with aconitase, isocitrate dehydrogenase etc. This should give you a totally chiral product whereas by starting from acetate you are at the mercy of isotope effects.

    Cornforth goes on to offer his help in finding candidates for research, a task he may achieve on Thursday at The Royal Society where he is attending a discussion on glycolytic enzymes. There it is again proof The Royal Society …is the best Club in the World!

    Sydney born Cornforth was totally deaf by the age of twenty but already recognised as and exceptional academic. He went to England, Oxford, along with a similarly gifted chemist Rita Harradence, who he later married. His relationship with Rita started over a broken Claisen flask .. Cornforth was a expert glassblower … something that was essential in the aspiring chemist in the 1930’s. Interestingly, there was no place in Australia where one could do a decent PhD in chemistry at that time. Naturally at Oxford Cornforth was in his element. He went on to be the first to synthesise cholesterol and had a hand in stabilising penicillin building on the work of fellow Australian Howard Florey. Cornforth was awarded the Nobel Prize in 1975 and coincidental with being made “Australian of the Year”. Cornforth also won the Davy Medal, Copley Medal, was Knighted and made Fellow of the Royal Society

    Scientific gold – Manuscript letter with considerable scientific content by Australian Nobel Prize winner John Warcup Cornforth

    $490.00

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  • Edward Elgar Symphony No 2 – with Expert Manuscript Annotations

    Edward Elgar Symphony No 2 – with Expert Manuscript Annotations

    Published by music score specialists Novello of Sevenoaks, Kent. No date originally published in 1911 and dedicated to the memory of the then late king Edward VII.

    Written, or designed as Elgar would have it, in 1910 as a tribute that missed publication before the King’s passing.

    Soft cover 171 pages of score Symphony No 2 in E Flat Op 63, copyright by the publisher. Printed in a facsimile style of the original. Carried the name at front John Snowdon, probably the musical talent who lives in the Huon area.

    What makes this special in our view, apart from the magnificence of the piece, is the manuscript interpretive annotations, mainly towards the front of the work … robust theme; E Flat with colouring; rising 5th syncopation; similar to Brahms; wild outbursts of orchestral virtuosity; ghost episode … we love it.

    Elgar’s magnificent No 2 with expert annotations.

    $25.00

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  • A Living Voice of the Living Bush – William Ricketts – Wonderfully Annotated and Signed.

    A Living Voice of the Living Bush – William Ricketts – Wonderfully Annotated and Signed.

    First and only edition published by the Victorian Forestry Commission in 1965 celebrating the incredible art of William Ricketts. Larger format soft cover, 24 pages with sixteen colour illustrations. A bit marked and aged on the cover, clean inside, forgive any deficiencies for his manuscript additions.

    The annotation on the first blank page reads as follows … “From my Mountain of Remembrance where we remember with love everything that was created … [followed by his creation symbol underscored with his signature] … The Prayer of the Mountain – The Prayer of the Forest – My prayer – all are one Prayer … “

    Added in different hand the name of the receiver.

    William Ricketts (1898-1993) misunderstood and maybe he misunderstood … regardless he made beautiful objects. If it offends, well then that’s a bit sad. He was a religious man and felt the earth and whether he misrepresented and misplaced .. well that gives a job for the academic critics. Just enjoy them. They were badly damaged in a massive storm a couple of years ago … we hope they have been resurrected.

    In the 1950’s he spent quite some time with the Pitjantjatjara and Arrente people in Central Australia … they inspired his work among the trees in the Dandenong Mountains.

    William Ricketts – A rare annotation we believe.

    $60.00

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  • One Ceremony One Song. An Economy of Religious Knowledge Among Yolnu of North-East Arnhem Land. A PhD Thesis – Australia National University – 1978 – Ian Keen

    One Ceremony One Song. An Economy of Religious Knowledge Among Yolnu of North-East Arnhem Land. A PhD Thesis – Australia National University – 1978 – Ian Keen

    An original copy of the monumental Thesis written by Ian Keen to obtain his PhD from ANU in 1978. Keen to go on to be a respected anthropologist holding positions at Queensland University and ANU and spending time at Oxford, visiting Professor at Osaka etc.

    Perfect bound in blue cloth covered boards, gilt titles to front and spine. Typed on one side 412 pages with 19 pages of plates from the authors photographs; 72 Figures in text; 45 tables of information and 4 maps. This copy gifted to “Jimmy” clearly an associated academic with a few marginal notes etc. Over 3 kgs in weight so if Overseas a postage supplement will be necessary.

    The English born author was late to the academic world having first worked as an art restorer before doing an undergraduate degree at the University of London under Mary Douglas in his mid thirties. He did well and soon won a scholarship to work on Aboriginal religion through song symbolism in Arnhem Land, Northern Australia. This thesis demonstrates the depth of his research and provides a meticulous record of his findings.

    He commenced his work on the island of Milingimbi in 1974 and worked there for fourteen months before completing a further 10 months on the mainland at Nanggalala. Its is not surprising that “’writing up” took him some time.

    His “Abstract” explains his examination of the relationship between the organisation, ownership and content of religious practice and knowledge, marriage and power relations in Yolnu society. He argues that older men require the authority gained through their control of secret ceremonies and religious knowledge, in order to sustain a polygamous regime. Making possible a system of marriage through which some men gain many wives. Keen’s description of the various ceremonies is highly detailed … we doubt if any broadly published material covers such content with similar vigour.

    A special reference relating to the Yolnu of Northern Australia.

    $280.00

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  • Unpublished Work – “The Dream and the Reality” – Single Handed Transatlantic Yacht Race 1968 – Brian Cooke.

    A unique item, the typescript account of Brian Cooke relating to his participation in the 1968 Single-handed Trans-Atlantic Race (STAR) east to west from Plymouth to Newport Rhode Island.

    182 pages of foolscap, corrected in manuscript. Having read through it all … it is an exceptional account ready for the press … we are not sure why he did not follow through with the publication.

    Cooke was very much an amateur before this event and he states clearly in his Preface that the book has been written “to indicate the way in which the dream of crossing the Ocean became a reality to me … what is involved for the ordinary person … to know first hand that it is quite a feasible proposition and a very worthwhile challenge …”.

    We like the way the book proper starts … “It was 1949, when I was walking down St James’s Street, London one lunchtime. I looked in a Bookshop window. One of the books on display was by Allcard describing the Atlantic voyage he had made. It was the dust cover that took my eye. On it was a photograph of Allcard, at sea, sailing his yacht single-handed, looking up at his sails, which conveyed to me a most vivid picture of satisfaction and achievement”

    The first sixty eight pages are taken up with establishing and preparing for the dream. First the yacht that had been commissioned to be built by an acquaintance with the wherewithal connected to his work at the Westminster Bank. The first trials, the personal training, the qualifying voyages etc all very interesting. At page sixty nine we have the race start proper. What follows is a very detailed account of the events of the race, nothing tedious in our view. Cooke came in sixth, out of 48, many had to turn back. Those ahead were either trimarans or larger boats, on any handicap system he may have won.

    The appendices are good for perspective and emphasise his comments in the Preface that preparation is key. We have the “sailing instructions” from the Royal Western, Plymouth. The list of yachts by nation, rig, length, hull, and rating where available. Daily records of sailing achievements and sail changes. Provisions of all sorts … we are amused to see Mars Bars, Steak and kidney puddings, HP sauce etc.

    Yachting treasure unpublished major single-handed yacht race

    $380.00

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  • Early Manuscript – Harpsichord or Piano Arrangement of Hayden’s Seven Last Words from the Cross 1808/9

    Early Manuscript – Harpsichord or Piano Arrangement of Hayden’s Seven Last Words from the Cross 1808/9

    Composizioni del Sig Giuseppe Hayden sopra le sette ultime Parole del nostre Redenfore in Croce. Consistenti in Sette Sonate con un Introduzione et al Fine Teremota ridote per il Clavicembalo ou Forte Piona Opera 19.

    Copied by hand from a score published in Vienna, presso Artaria Compagni 9, 1808.

    Oblong folio manuscript comprising title page and 26 pages in early paper backed flush wrappers, all in a fine state. A delightfully executed manuscript copy inscribed “De Musica Fran H Hausser 1808/9” with the later library label of K Knittle.

    The piano arrangement of Hayden’s Seven Last words of the Cross, authorised by Hayden. Arranged from a string quartet version from the same Publisher, Artaria in 1786. The piano version was first issued a year later … reference catalogue authority Hobken -Verzeidchis XX/1C.

    Joseph Hayden born 1732 died in May 1809 so this manuscript could be coincidental or in honour of his death. The original work was orchestral and commissioned by the Cannon of Cadiz, Spain for a Good Friday service in which they traditionally performed new works of music the theme of which was based on Christ’s seven last words on the Cross. The format was always to be a ten minute adagio to follow the calling of each of the last words by the Church hierarchy. It was performed in a very austere environment with dark curtains hung and very little light intruding. In 1801 Hayden is recorded as saying that he had great difficulty complying with the “rules”. Nevertheless, the work is regarded as a great success and in many ways experimental for the time.

    Hayden was paid in a very unusual way … he was sent a cake filled with gold coins. Just as well he ate it!

    Beautiful manuscript score of an unusual piece by Joseph Hayden likely written in the year of his death.

    $270.00

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