0
products in your shopping cart
Total:   $0.00 details
There are no products in your shopping cart!
We hope it's not for long.

Visit the shop

19th Century and Prior Classics

list view
  1. Pages: 1 2 3 4Next >Last »
  • The Decameron of Giovanni Boccaccio

    The Decameron of Giovanni Boccaccio

    The complete unabridged Modern Library edition. Published in 1951 (by reference to the number of book on the list back of dust jacket). Thick octavo, 630 pages. With a forward by Morris Ernst dated 1930 regarding the difficult time the book had had in America because of draconian obscenity laws. Well here it is unadulterated.

    Translated by John Payne, which must have been a lengthy task and one well done. It has stood the test of centuries and was a source of inspiration for Chaucer, Shakespeare and Keats.

    Good condition albeit with two previous owners names on the end papers and later date stamp on half title. Light chips to dust jacket and a hint of fading, now protected in Brodart.

    A lusty bawdy delight by Boccaccio translated by Payne

    $40.00

    Loading Updating cart…
  • The Poems of Percy Bysshe Shelley  … including Materials Never Before Printed in any Edition of the Poems.  Edited with textual notes by Thomas Hutchinson. 1912

    The Poems of Percy Bysshe Shelley … including Materials Never Before Printed in any Edition of the Poems. Edited with textual notes by Thomas Hutchinson. 1912

    Percy Bysshe Shelley (1792-1822) a romantic Poet and considered by most authorities England’s greatest ever lyric poet. This is possibly the best book on Shelley’s extensive works … we think so.

    Thick octavo, 912 pages published by Henry Frowde, Oxford University Press, London in 1912.

    Delightful impressed frontispiece image of Shelley by Sir Emery Walker (1851-1933). Walker was a friend of William Morris and it was Walker’s collection of medieval type that inspired Morris to form the Kelmscott Press. Walker later formed his own distinguished Doves Press.

    Impressively bound in full green calf, five raised bands to spine with full rich gilt ornament to compartments, red leather title label. Gilt design around front and back boards, gilt knurling to board edges Quality matching marbled end papers with design continuing to page edges. Gilt “Saltburn High School” emblem to front and prize label on front paste down. Carries the binder / retailer label of James Galt of Manchester. Ayrshire born Galt founded the Manchester educational supplier in 1836.

    The book starts with an excellent Preface by Hutchinson outlining his approach, sources, thoroughness etc. Followed by the Preface by Mary Shelley to each of her own much earlier editions of the great man’s work, including the Posthumous Poems.

    A special book of Shelley’s works … would make a super gift …

    $160.00

    Loading Updating cart…
  • Beethoven Ninth Symphony Pianoforte Score arranged by Carl Reinecke (Choral Portion) English Translation by Rev W.T. Southward – Sir Adrian Boult’s Copy dated 1910 whilst at Oxford.

    Beethoven Ninth Symphony Pianoforte Score arranged by Carl Reinecke (Choral Portion) English Translation by Rev W.T. Southward – Sir Adrian Boult’s Copy dated 1910 whilst at Oxford.

    Published by Breitkopf & Hartel, Leipzig circa 1900. Large octavo, 78 pages. Original cloth backed wrappers, slightly aged but still very good.

    Symphony No.9 in D minor Op 125 the final complete Beethoven symphony compose between 1822 and 1824. Many regard this his greatest work. The first major symphony to use voice in here the fourth movement with four soloists and a choir. The words from a poem “Ode to Joy” a poem by Friedrich Schiller with Beethoven additions.

    Published Breitkopf & Hartel being the worlds oldest music publishing house established in 1717. Their rendition of the Ninth arranged by Reinecke was to become a favourite of quality orchestra’s around the world.

    Sir Adrian Boult’s copy inscribed on the upper wrapper … “Adrian C Boult 15 Oct 1910”

    Adrian Boult (1889-1983) schooled at Westminster and then went up to Christ Church, Oxford reading History in 1908, but later changed to Music graduating in 1912. So, the ownership of this item clearly resides with his university days. In fact, in 1910 he was the President of the University Music Club. He met Ralph Vaughan Williams at Oxford and was already acquainted with Elgar. He then went on to study at Leipzig and it was there that he developed into the man he was. Surely one Britain’s greatest orchestral conductors … he was the first to tackle Holst’s Planets and was to form the BBS Symphony Orchestra and conduct the LSO and the LPO

    Beethoven Ninth Choral – Sir Adrian Boult’s Copy

    $120.00

    Loading Updating cart…
  • Utopias and Imaginary Voyages to Australasia – John Dunmore

    Utopias and Imaginary Voyages to Australasia – John Dunmore

    Who else could be more qualified to write and present on this subject at the National Library of Australia than John Dunmore?

    Octavo, card cover of 23 delicious pages, the text of Dunmore’s lecture of 2nd September 1987, published by the N.L.A. the following year. A fine copy.

    From Joseph Hall’s “Mundas Alter et Idem’ the first utopian account to be set in the Antipodes, with mentions of La Perouse and “Fragmens” … Aldous Huxley is a bit of a drift … then back to Utopian reality and the Adventures of Alexander Venderchurch and many more esoteric accounts before back to the likes of Gulliver and that endearing Swiss Family.

    A special lecture by Dunmore on down under Utopia – wish I had been there.

    $30.00

    Loading Updating cart…
  • A Bibliography of the Writings of Jonathan Swift – Herman Teerink.

    A Bibliography of the Writings of Jonathan Swift – Herman Teerink.

    A second revised and corrected edition of Dr Teerink’s fundamental reference on Swift.

    Published by the University od Pennsylvania Press in 1963. Published in Britain by the Oxford University. First published in 1937, Teerink had continued to compile new discoveries and corrections since that date. He died in 1961 so it was down to Editor Arthur Scouten to produce this update from Teerink’s notes.

    Large, thick octavo, 453 pages with frontispiece of Captain Lemuel Gulliver. A very good copy.

    The preface by Thomas Yoseloff, Director of the Press reflects on the decision to publish the revision and the difficultly in understanding Terrink’s handwriting. Probably in the history of bibliography there has not been more challenge than in this work on Swift, mainly because of the nature of the publishing trade in the first half of the 18thC and the many potential attributions not under the authors real name or published anonymously.

    A monumental work. One might say … what interest a Swift bibliography unless the completely immersed. Well, really it give one a thorough education of the publication of the book in the era … the challenges .. unsold runs of earlier copies and how they can be used in bolstering re-issues of complete works etc. the printing houses and the quality of editorial and review before press.

    The structure of book is helpful … Table of Symbols and abbreviations. Table of Location of Teerink Numbers and then the body … Collected Works; Smaller Collections; A Tale of the Tub; Gulliver’s Travels; Separate Works; Doubtful (well some would challenge other and put some of these in the mix); Biography and Criticism, 1709-1895. And a useful index.

    Jonathan Swift – more than Gulliver and “the Tub” a lifetime work by Teerink.

    $120.00

    Loading Updating cart…
  • Le Morte DArthur – The History of King Arthur and His Nobel Knights of the Round Table – Sir Thomas Malory – Illustrated with 36 coloured plates by William Russell Flint. Two Volumes Bound for Bumpas, London.

    Le Morte DArthur – The History of King Arthur and His Nobel Knights of the Round Table – Sir Thomas Malory – Illustrated with 36 coloured plates by William Russell Flint. Two Volumes Bound for Bumpas, London.

    Originally published in 1485 and first issued by the Medici Society in 1912. This is an early reprint of that issue, in two volumes, 1920 and, finely bound in full leather under the name of the legendary London bookseller Bumpas.

    Two Volumes, crown quarto, 439 and 531 pages after preliminaries in each case. Magnificent plates, 36 in total, by Russell Flint.

    The binding, full polished morocco, with raise bands and gilt lettering, and gilt fillet with inner wide dentils (a lovely touch), all page edges richly gilt. Silk ribbon markers. Some rubbing, very clean internally.

    Russell Flint’s interpretation of Malory’s work is masterful and depicts seminal moments and characters.

    Imprinted following the text of Caxton, modernised by Alfred Pollard, instructed by the Medici Society, London. Russell Flint (1880-1969) was influenced by the Pre-Raphaelite movement and, the stylised neoclassical art of the Renaissance. He attended the Edinburgh, Royal Institute of Art. He admired Arthur Rackham … and you can that in these example. His figures are finely modelled with further influences of Burne-Jones

    Le Morte DArthur – Illustrated and bound in style … a very good set

    $390.00

    Loading Updating cart…
LoadingUpdating…
  1. Pages: 1 2 3 4Next >Last »

Product Categories