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Prints and Photographs and Bookplates

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  • Waller’s Owl [Australian Eastern Grass owl] -Silvester Diggles – Brisbane – c1870

    Waller’s Owl [Australian Eastern Grass owl] -Silvester Diggles – Brisbane – c1870

    Rare original hand-coloured lithograph by Queensland naturalist Silvester Diggles. Published as part of his magnificent work “”The Ornithology of Australia” between 1866 and 1870 in twenty-one parts by Pugh of Brisbane, in a very limited edition. By the time part sixteen was published there were only 92 subscribers. The original plates were executed on stone and coloured by Diggles and his niece, Rowena Birkett.

    The Waller’s Owl in modern times referred to as the Eastern Grass Owl. A beautiful reclusive and rarely seen bird which is occasionally seen in New South Wales but mainly in Queensland where it hunts the cane fields and grasslands for rodents. A medium sized owl similar to the barn owl. Colouring tan-brown with black, white and orange mottling, long legs which it uses to snatch its prey from dense undergrowth.

    The work measures 38cm by 27cm, good hand colouring pretty clean and undamaged. A scarce item.

    About Silvester Diggles

    Silvester Diggles (1817-1880) artist and musician born in Liverpool, England. He came to Australia in 1853 settling in Brisbane where he taught music and drawing. Diggles was a founder of the Brisbane Choral Society in 1859 and the Philharmonic Society in 1861 known as “the father of music in Brisbane”. Diggles was also a founder of the Queensland Philosophical Society and helped establish the Museum. His greatest work was The Ornithology of Australia. It nearly sent him broke. His health deteriorated worry about finances being a factor. He died at Kangaroo Point in 1880.

    Price $490.00 unframed.

    An opportunity to own a rare original owl by Queenslander Silvester Diggles.

    SORRY ON HOLD ENQUIRE IF YOU WISH

    $490.00

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  • A L’Opera – Pierre Brissaud Pochoir – Gazette du Bon Ton -1920

    A L’Opera – Pierre Brissaud Pochoir – Gazette du Bon Ton -1920

    A beautiful “Pochoir” by Pierre Brissaud (1885-1964) for the Paris Gazette du Bon Ton published in 1920.

    Manteau et robe pour le soir by designer Jeanne Lanvin. A rich opulent image that befits the fine lady in the skillful style of Brissaud.

    Price is unframed …

    Click on the image to see full pochoir ….

    $90.00

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  • “Rugby” – Fine and Striking Pochoir by George Barbier – April 1914

    “Rugby” – Fine and Striking Pochoir by George Barbier – April 1914

    An original hand coloured “Pochoir” by George Barbier (1882-1932) the most desirable artist of the Paris Gazette du Bon Ton published in 1914.

    A very early Bon Ton April 1914.

    Rugby and “Costume tailleur de Redfern” … a stylish outfit by English designer John Redfern (1853-1919), in snowy cheviot (a soft luxurious wool weave from the Cheviot sheep, with a small black vest in the finest silk Ottoman, fastened with braided black frogs.

    The ultimate in fashion print from a perfect era.

    Price $120.00 unframed.

    Much sought after “sporty” George Barbier

    $120.00

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  • Alvin Lustig Dust Jacket design for New Directions – 50 Postcard style Illustrations.

    Alvin Lustig Dust Jacket design for New Directions – 50 Postcard style Illustrations.

    Voyager hero and favourite graphic designer Alvin Lustig got into bed with super New York publisher of high end literature, New Directions, to design unique dust jacket art for the likes of Tennessee William, Dylan Thomas, Ezra Pound etc.

    This boxed set of fifty postcards is a retrospective of that work comprising some of the more unusual designs. Unfortunately the books are getting out of reach for all but the devoted cashed up collector. So why not get this selection as an introduction or reminder of this man’s talent.

    Would make a super gift – and get over the – we don’t use postcards any more – they are a memento of normal life as it once was before the whole world spent their whole waking moments tapping away with two fingers on a iphone … uuhhggh.

    Lustig beautifully presented and maybe a challenge for some.

    $35.00

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  • Large Scale Copper Engraving of the Façade of Amsterdam Town Hall – Jacob van Campden – 1661

    Large Scale Copper Engraving of the Façade of Amsterdam Town Hall – Jacob van Campden – 1661

    Original large folio copper engraving of the Amsterdam Town Hall. The western façade showing ground floor entrance and first, second and third floor windows divided into upper and lower sections. A fronton with a statue either end and in the middle Atlas carrying the world globe. The actual length of the building is 79 metres.

    See National Library of Australia for an example reference 226808

    Central fold – paper xxcm by xxcm. Apologies that it is too big to get a full image on our large scanner .. but almost. Sowing some age as you would expect but still a very worthy example and would make a superb architectural framed item .. if you are Dutch even better.

    Represents plate E from Afbeelding van’t Stadt Huys van Amsterdam in darigh coopere Plaaten / geordineert door Jacob van Campden; en geteeckent door Jacob Vennekool. Tot Amsterdam: Bij Dancker Danckerets … 1661.

    Price $120.00 unframed
    One of a number of 17th century architectural engravings at Voyager.

    $120.00

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  • Sydney Centennial Park – Unusual Period Ephemera – Design for the Main Gates – Self Measuring Pocket Book –    J Moore 1886

    Sydney Centennial Park – Unusual Period Ephemera – Design for the Main Gates – Self Measuring Pocket Book – J Moore 1886

    This little self measuring pocket book could be found at W.E. Smith, bookbinder printer etc of bridge Street Sydney in the 1880’s.

    Original owners name J Moore and dated Feb 16th 1886. Contains a number of architectural sketches and notes and financial doodles.

    Most interestingly are the notes re ”3 Gateways for Centennial Park”. We have Moore’s rough notes re dimensions – 122 ft in total with various access for Carriage and Horse, below that a lightly scribbled concept. To the right some finer work on the suggested pillar work and wrought iron embellishments.

    Overleaf a much fuller concept. All of which would have made for a fine set of gates.

    The actual gates were in fact built between the date of these sketches and the official opening of Centennial Park in January 1888 – three trees were planted in a rather [then barren plot. Sadly for Moore the gates were not to his design – but not completely dissimilar – we prefer our man.

    Some interesting little sketches and the odd house and kitchen design elsewhere but also, as with many similar items, rather a lot of blank pages.

    An interesting architectural conversation piece.

    Sydney Centennial Park Gates the Preferred Design

    $120.00

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