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  • Prospecting for Gold. From the Dish to the Hydraulic Plant and from the Dolly to the Stamper Battery. With Chapters on Tin, Osmiridium, Platinum, Opals and Oil. – Ion Idriess

    Prospecting for Gold. From the Dish to the Hydraulic Plant and from the Dolly to the Stamper Battery. With Chapters on Tin, Osmiridium, Platinum, Opals and Oil. – Ion Idriess

    Ion Idriess wrote Prospecting for Gold from his own experiences and the knowledge of his gold bug mates. He had been commissioned by the Australian Government to encourage self-employment.

    Published by Angus and Robertson, Sydney. A 1954. Octavo, x, 296 pages, illustrated and with a very helpful glossary. A separate chapter by Government Geologist W.G. Woolnough on Prospecting for Oil. Dust jacket a bit chipped, now protected in acid free removable Brodart. A very good copy.

    Osmiridium is an interesting one. Read about the element Osmium … essential for good pen nibs. Stay away from the Tetroxide. Tasmania had its own Osmium boom starting the 1920’s … still quite a few undeveloped prospects. What can we do with the world’s heaviest element?

    About the book .. unusual for Idriess – not a yarn to be seen – solid practical information that may have stood the test of time.

    Ion Idriess – a guide to finding your fortune in the bush

    $120.00

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  • Deco Dancing Lady Bookends –  Armor Bronze – 1920’s

    Deco Dancing Lady Bookends – Armor Bronze – 1920’s

    Armor Bronze operated out of 5th Avenue New York during the 1920’s.

    The general style for of this bookend was popular and copied by a number of makers. However, most if not all were not so charmingly crafted and had hollow or flat backs whilst this example is a full three-dimensional casting. It is in a class of its own – original from the period so some age patina … authentic.

    The Deco Lady is the essence of what one imagines of the era, bobbed hair, sleek boyish body with the taught attributes of the professional dancer.

    Medium in size being 18cm wide and 12 cm high each weighing 1.4kg so deceivingly hefty. Not the girl!

    Probably the best example of the Art Deco Dancing Lady

    SO SORRY SOLD

    $360.00

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  • Waller’s Owl [Australian Eastern Grass owl] -Silvester Diggles – Brisbane – c1870

    Waller’s Owl [Australian Eastern Grass owl] -Silvester Diggles – Brisbane – c1870

    Rare original hand-coloured lithograph by Queensland naturalist Silvester Diggles. Published as part of his magnificent work “”The Ornithology of Australia” between 1866 and 1870 in twenty-one parts by Pugh of Brisbane, in a very limited edition. By the time part sixteen was published there were only 92 subscribers. The original plates were executed on stone and coloured by Diggles and his niece, Rowena Birkett.

    The Waller’s Owl in modern times referred to as the Eastern Grass Owl. A beautiful reclusive and rarely seen bird which is occasionally seen in New South Wales but mainly in Queensland where it hunts the cane fields and grasslands for rodents. A medium sized owl similar to the barn owl. Colouring tan-brown with black, white and orange mottling, long legs which it uses to snatch its prey from dense undergrowth.

    The work measures 38cm by 27cm, good hand colouring pretty clean and undamaged. A scarce item.

    About Silvester Diggles

    Silvester Diggles (1817-1880) artist and musician born in Liverpool, England. He came to Australia in 1853 settling in Brisbane where he taught music and drawing. Diggles was a founder of the Brisbane Choral Society in 1859 and the Philharmonic Society in 1861 known as “the father of music in Brisbane”. Diggles was also a founder of the Queensland Philosophical Society and helped establish the Museum. His greatest work was The Ornithology of Australia. It nearly sent him broke. His health deteriorated worry about finances being a factor. He died at Kangaroo Point in 1880.

    Price $490.00 unframed.

    An opportunity to own a rare original owl by Queenslander Silvester Diggles.

    SORRY ON HOLD ENQUIRE IF YOU WISH

    $490.00

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  • The Itinerary of Ludovico di Varthema of Bologna from 1502 to 1508; With a Discourse on Varthema and His Travels in Southern Asia by Sir Richard Carnac Temple – Argonaut Press Limited Numbered Edition 1928 – Edited Penzer

    The Itinerary of Ludovico di Varthema of Bologna from 1502 to 1508; With a Discourse on Varthema and His Travels in Southern Asia by Sir Richard Carnac Temple – Argonaut Press Limited Numbered Edition 1928 – Edited Penzer

    Limited to 975 copies printed on Japon Vellum printed by Walter Lewis at the University Press, Cambridge – this numbered 642.

    Well bound quarto, blue cloth covered boards quarter backed in vellum, titles gilt to spine and a lovely gilt embossed image to front taken from the original 16th Century work. Effectively two works – the lengthy “Discourse” after introductions … preface, tables, analysis etc of lxxxv (85 pages) then work itself from the 19th Century Badger/ Winter translation 121 pages, including useful index. Useful maps where appropriate in the discourse. Very good near fine copy.

    Verthema travelled at the time of Drake and Magellan which provides perspective and in 1502 he went from Italy to Egypt and Syria and then to Arabia Deserta [Damascus, Medina, Jedda etc] … then in 1503 to Arabia Feliz [Aden, Dhamar, Lahaj etc] and on to Ethiopia in 1504. By later that year he was in Persia [Hormuz, Muscat etc] and India [Gogha, Cambay, Chaul, Calicut etc] Then to Ceylon in 1505 … Bengal and east to the Malacca and the Spice Islands, Java and Borneo. On his way back he assisted the Portuguese in various skirmishes – they being the dominant invasive force at the time. Back home in 1507 via Mozambique.

    What makes this book particularly interesting is the history of the translations and the impact of early “reviewers” views. The original work was in Italian, translated to Latin and then English by Richard Eden in 1577. Various others held view and the influential traveller Garcia da Orta Poo Pooed Varthema’s account. Because of this and similar the account was thought to be full of fiction … not so and this book goes a long way to settle the myth and put Verthema back where he belongs as a truly remarkable early traveller.

    His account of being chased by elephant in Africa is worth the read alone.

    Verthema’s extensive really 16th Century Travels – Once Poo Pooed – but now seen as true.

    $190.00

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  • Victorian Spectroscope – Adam Hilger c1890

    A superb quality late Victorian brass Direct Vision Spectroscope, of the “Rainband” variety.

    The device includes a “train” of alternating crown and flint glass prisms.

    Made by Adam Hilger and his brother Otto who operated from Tottenham Court Road London from 1875 until 1916 when the business was taken over with the backing of Vickers. Nicely engraved A Hilger London and in near fine condition protected in its original custom brass canister.

    Interestingly, Adam Hilger supplied one of the most advanced spectroscopes of the day to the Sydney Astronomical Observatory in 1878 to be used in conjunction with their Merz 7 ¼ inch refractor. Three prisms alternating quartz and flint glass provide spectral quality clear of aberration.

    Neat Victorian Spectroscope top maker clear and true spectrum

    $280.00

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  • Sete – Images of Provence – Seven Poems by Count Potocki of Montalk; Five Drawings by Marjorie Jackson- Pownall – Limited Numbered Eccentric Private Press

    Sete – Images of Provence – Seven Poems by Count Potocki of Montalk; Five Drawings by Marjorie Jackson- Pownall – Limited Numbered Eccentric Private Press

    A scarce work by the rather odd Count Potocki of Montalk. Number sixty five of 120 copies set by hand by Count Potocki of Montalk, [which] have been printed by hand and foot by him.

    Produced in the aforementioned style at The Melissa Press, Villa Vigoni, Chemin de St Martin, Draguignan, Var France – the authors home – 1972.

    Printed on Fabriano watermarked paper – we are told in the introduction that “we went to Italy expressly to buy the art paper on which to print Marjorie Jackson-Pownall’s charming drawings, with their unambiguous clarity” ….

    Large octavo, 18 pages, bound quarter green cloth over papered [wallpaper?] boards – a fine copy.

    Copyright and limitation page, title, charming rather haphazard introduction, the poems and drawings – hints of risqué … see below authors background – artwork neat.

    The Count was born in New Zealand in 1903. He is generally described as a poet, polemicist and pretender to the Polish throne – he did genuinely have connections. In 1926 he deserted his wife and child for Europe and the arts. First, to England where he developed his extreme right-wing views knew Mosley but, appears to have been more interested in Mosley’s wife. Moved to Draguignan in southern France after WWII mixed with fellow arty folks in the region and printed several unusual private press items. Backtrack – in England in the 1930’s he was sent to prison for attempting to publish what was then regarded as obscene literature – “the Lament of Sir John Penis” along with translations of Rabelais and Verlaine. He was supported in court by Leonard and Virgina Woolf. Aldous Huxley later arranged bail for another skirmish with the law and funded the purchase of Potocki’s first printing press.

    Potocki was a truly odd one – often went about dressed in what he thought was medieval garb – tights, satin pyjamas all wrapped up in velvet curtains etc.

    The eccentric Count Potocki of Montalk – a unique item

    $120.00

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