Early Manuscript – Harpsichord or Piano Arrangement of Hayden’s Seven Last Words from the Cross 1808/9

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Early Manuscript – Harpsichord or Piano Arrangement of Hayden’s Seven Last Words from the Cross 1808/9

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Composizioni del Sig Giuseppe Hayden sopra le sette ultime Parole del nostre Redenfore in Croce. Consistenti in Sette Sonate con un Introduzione et al Fine Teremota ridote per il Clavicembalo ou Forte Piona Opera 19.

Copied by hand from a score published in Vienna, presso Artaria Compagni 9, 1808.

Oblong folio manuscript comprising title page and 26 pages in early paper backed flush wrappers, all in a fine state. A delightfully executed manuscript copy inscribed “De Musica Fran H Hausser 1808/9” with the later library label of K Knittle.

The piano arrangement of Hayden’s Seven Last words of the Cross, authorised by Hayden. Arranged from a string quartet version from the same Publisher, Artaria in 1786. The piano version was first issued a year later … reference catalogue authority Hobken -Verzeidchis XX/1C.

Joseph Hayden born 1732 died in May 1809 so this manuscript could be coincidental or in honour of his death. The original work was orchestral and commissioned by the Cannon of Cadiz, Spain for a Good Friday service in which they traditionally performed new works of music the theme of which was based on Christ’s seven last words on the Cross. The format was always to be a ten minute adagio to follow the calling of each of the last words by the Church hierarchy. It was performed in a very austere environment with dark curtains hung and very little light intruding. In 1801 Hayden is recorded as saying that he had great difficulty complying with the “rules”. Nevertheless, the work is regarded as a great success and in many ways experimental for the time.

Hayden was paid in a very unusual way … he was sent a cake filled with gold coins. Just as well he ate it!

Beautiful manuscript score of an unusual piece by Joseph Hayden likely written in the year of his death.

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