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Prints and Photographs and Bookplates

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  • Unusual Engraving of “Birds from the Levant” –  Thomas Shaw -1738

    Unusual Engraving of “Birds from the Levant” – Thomas Shaw -1738

    Engraved in copper by Thomas Shaw (1694-1751) and published as part of “Travels or Observations relating to Several Parts of Barbary and the Levant”.

    Printed and published at “The Theatre’ Oxford.

    Presented matted, ready to frame, 40cm by 30cm. Engraving in excellent condition.

    The birds are the Hou-baara, Rhaad, Boo-ank and the Kittanria. We understand one of them is the Arabian Bustard and another a Willow Ptarmigan but we prefer there native names.

    Fine bird engraving 280 years old.

    $140.00

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  • Falco Gallinarius (Northern Harrier)  – Johann Susemihl – 1797 to 1810

    Falco Gallinarius (Northern Harrier) – Johann Susemihl – 1797 to 1810

    Original and striking hand-coloured copper engraving of a Northern Harrier by Johann Conrad Susemihl (1767-1847).

    Published in Darmmstadt as part of a progressive work “Teutsche Ornithologie oder Naturgeschichte … between 1797 and 1810.

    The execution of this massive work was a family affair with Johann being assisted by his children Eduard and Emilie and his brother Johann Theodor. The superior quality and scale of these engravings makes them highly sought after.

    Paper size 50cm by 34cm … the engraved impression is 34cm by 25cm …

    Price $190.00 unframed … enquire about framing options if you wish … click on me to see me all!

    The beautiful dignified Harrier by Susemihl

    $190.00

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  • Pat Corrigan – Four Bookplates Commissioned from Australian Artists [Backen, Chapman, Willibrant and Elenberg] – 1970′s

    Pat Corrigan – Four Bookplates Commissioned from Australian Artists [Backen, Chapman, Willibrant and Elenberg] – 1970′s

    Three original bookplates by three quite different artists, all produced circa 1970’s. All in excellent condition

    Earle Backen (1927-2005), books in cubic arrangement. In his time one of the mots respected painters in Sydney. His foundation field was printmaking. In 1954 he won a travelling scholarship and went to London and Paris. 13.5cm x 9.2cm.

    Peter Chapman (1925-2016) Blues Player. Chapman born in North Sydney. He became one of Australia’s foremost comic book illustrators including The Phantom Ranger, The Shadow and Sir Falcon. 13cm by 10cm.

    James Willibrant (Born 1950) Sydney Harbour. Willibrant was born in Shanghai, returning to Australia in time to study and develop an keen artists talent. Remains very active, his painting are a true delight … look them up. At the time of producing this special bookplate for Pat Corrigan he was teaching art at Chiron College. 12.5cm x 9.0cm. Initialled and dated in the image ’76

    Joel Elenberg (1948-1980). Totemic form. Born in Melbourne and died very young in Bali. Soulmate of Brett Whiteley and loved by many. Elenberg an accomplished painter drawn later in his short life to sculpture. The form of this bookplate reflects that transition with its angular biomorphic form.

    Pat Corrigan having done more to re-stimulate the art of bookplate design in Australia than any other person. The Wiki article on Pat Corrigan is excellent and has an interesting section on his promotion of bookplates.

    Three Corrigan Commissioned Bookplates by three very different Australian Artists.

    $120.00

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  • King Island Elephant Seal (Le Phoque a trompe) – Vauthier -1820

    King Island Elephant Seal (Le Phoque a trompe) – Vauthier -1820

    A scarce hand coloured copper engraving of the Elephant Seal “Le Phoque a trompe” named by Peron.

    The Baudin expedition saw many Southern Elephant Seals around the Islands of the Bass Strait including King Island. Unfortunately, unable to defend themselves they were killed for their oil and by 1827 they were all gone from that location.

    Printed on sturdy paper, 25cm by 17 cm, good use of gum arabic to strengthen the colour and provide depth. Good plate mark … a super example.

    Engraved by Barreau after Vauthier and published in Paris in 1820.

    Price $90.00 unframed

    Rare original hand coloured King Island Elephant Seal engraving

    $90.00

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  • Bridge-Water – with Mount Direction Behind – Hobart, Tasmania -1840

    Bridge-Water – with Mount Direction Behind – Hobart, Tasmania -1840

    An original lithograph from a drawing by Louis Le Breton (1818-1866) lithographed by Leon Jean Baptiste Sabatier published as part of the great “Atlas Pittoresque” to accompany “Voyage au Pole Sud et dans l’Oceanie sur les corvettes l’Astrolabe et la Zelee … sous commandement de M.J. Dumont d’Urville”.

    A delightful view of Bridgewater looking across the river Derwent to the imposing Mount Direction

    Lithographed on sturdy paper size 54.5cm by 34.5 cm. Very good clean condition. A scarce Hobart image.

    Price $540.00 unframed – rare

    Striking image of Mount Direction across the Derwent

    $390.00

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  • The Discovery of the Clarie Coast Antarctic – Dumont d’Urville – 26th January 1840

    The Discovery of the Clarie Coast Antarctic – Dumont d’Urville – 26th January 1840

    An original beautifully executed lithograph by Louis Le Breton (1818-1866) published as part of the great “Atlas Pittoresque” to accompany “Voyage au Pole Sud et dans l’Oceanie sur les corvettes l’Astrolabe et la Zelee … sous commandement de M.J. Dumont d’Urville”.

    After discovering and naming Adelie Land (After d’Urville’s wife) on the 22nd of January 1840 and making various explorations the Astrolabe and Zelee continued west in search of further land. A violent gale separated the two ships and Dumont d’Urville feared that he might have lost the Zelee. However, the sea calmed and the Zelee appeared and the vessels were re-united. Shortly afterwards the Astrolabe encountered the US Exploring Expedition under Captain Wilkes. Dumont d’Urville had heard of Wilkes’ intentions at Hobart and made all haste to make his the first discoveries … and he did so. The encounter with Wilkes was very strange and through a misunderstanding Wilkes thought his approach to the French vessel was rebuffed .. not so the French simply manoeuvred to avoid any chance of a physical encounter in these difficult waters. A couple of days later the French discovered further extensive coastline which d’Urville named Cote de Clarie or the Clarie Coast after the wife of Charles Jaquinot Captain of his support vessel Zelee. This was on 26th January 1840 and the event is recognised in this delightful lithograph. The US Wilkes expedition also found the Claire Coast, but not until February had arrived. The Americans sailed further on confirming a thousand plus mile stretch of land … likely because of this the region is known in Australia as Wilkes Land … not so in France!

    Lithographed by P Blanchard on sturdy paper – 37 x 22cm to the edge of the image with very wide margin. Overall in excellent condition.

    Price $590.00 unframed – rare

    Antarctic discovery of the Clarie Coast 26th January 1840 Voyage of Dumont d’Urville.

    $590.00

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