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Curiosities

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  • North British Australasian Company Limited – Delay on Wool Clip creates liquidity issues – 1892

    North British Australasian Company Limited – Delay on Wool Clip creates liquidity issues – 1892

    Original manuscript letter from the Company Secretary of the North British Australasian Company Limited from their headquarters at 10 Moorgate Street, London E.C. dated 5th July 1892.

    Addressed to Cochran Macpherson who were likely the lawyers of 152 Union Street, Aberdeen who were no doubt attending to their wily Scottish clients interests.

    I legible hand but for ease of reading … “Dear Sirs, I am in receipt of your letter of the 1st inst and in reply beg to say that the delay in the payment of the Guaranteed interest is owing to the non-arrival of the greater part of the Wool Clip. We have however received a Cablegram saying that same is being pushed forward and expected to arrive here in September. On the completion of the sales whatever amount remains after meeting out-goings in the Colony will be appropriated for interest on the Guaranteed Stock. A payment on account would have been made ere this had it been possible to have sold a large quantity of surplus Live Stock on the Stations at the present time but prices are so extremely low that we are prohibited from doing so .. ”

    The North British Australasian Company were formed in the early 1840’s and by the time of this letter had extensive interests in Australia.

    What at first hand may be a routine business letter … reflects the difficulties facing the Australian agricultural sector to this day … overstocking when prices are low, delays caused by unforeseen reasons and shareholders expecting guarantees when they cannot be fulfilled.

    10 Moorgate is a beautiful building now occupied by ING Group.

    Liquidity Issued Politely Explained
    ———————–
    NB – Postage will be reduced on final billing

    $90.00

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  • Original 17th Century Engraving – French Naval Vessel –  Allain Manesson Mallet – Paris 1683

    Original 17th Century Engraving – French Naval Vessel – Allain Manesson Mallet – Paris 1683

    An delightful original copper engraving from 1683. From one of the most magnificent illustrated works of the 17th Century, “Le Description de l’Univers”.

    Covering all manner of things naval and cartographic this is a fine engraving of one of the principal ships of the French Navy.

    Engraved area approximately 15cm by 10cm. Matted, with “French lines”, as shown in the second image.

    Mallet (1630-1706) was a French cartographer and engineer. He started his career as a soldier in the army of Louis XIV became a Sergeant Major and an Inspector of Fortifications. His maps have a beautiful decorative and unique style.

    17th Century Naval engraving matted ready to frame.

    $90.00

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  • Woodcut Bookplate of Sir Samuel James Way Bart – Chief Justice c1910

    Woodcut Bookplate of Sir Samuel James Way Bart – Chief Justice c1910

    A striking woodcut bookplate, over 100 years old, of Sir Samuel James way (1836-1916). 13cm by 9.5cm in very good condition. This was the third bookplate commissioned by Way .. it bears his coat of arms which features three salmon working their way upstream against the current .. a metaphor … struggling against all obstacles towards success. His motto “Fit Via ci” loosely translating as “Where there’s a will there’s a Way” … so a hint of humour.

    Sir Samuel was Chief Justice of South Australia and Lieutenant Governor. He was invited to the Privy Council but had to give it up partly due to confusion as to who was to pay him. He was knighted in 1899. He was a avid collector of art, objects and book. His private library was one of the greatest ever amassed in Australia … a large part of it on his death went to the Adelaide University Library where it increased the collection by 60%.

    Sir Samuel James Way – Leading South Australian

    $30.00

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  • Original Woodcut bookplate by Lionel Lindsay – 1958

    Original Woodcut bookplate by Lionel Lindsay – 1958

    Original woodcut bookplate by Lionel Lindsay for Keith Wingrove created in 1958. Signed in the plate.

    Keith Wingrove (1910-1995) was an art and book collector. He had a strong interest in bookplates and commissioned a number of designs by both Lionel Lindsay (1874-1961) and his brother Norman Lindsay and other artists of note. Wingrove was very close to the brothers .. Norman wrote over 350 letters to him …

    10cm by 7.5 cm with a strong contrasting image directly from the plate.

    Collectable Australian Bookplate.

    $60.00

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  • Original Woodcut Bookplate by Kalman Gaborjani Szabo noted Hungarian Artist – 1934

    Original Woodcut Bookplate by Kalman Gaborjani Szabo noted Hungarian Artist – 1934

    A very stylish bookplate, original woodcut by Klaman Gaborjani Szabo (1897-1965) commissioned by Dr Arady Kalman (1893-1964). Dr Kalman was an avid bibliophile and commissioned numerous high class bookplates for his collection. An example of this exact bookplate is held in the Balatoni Museum and included on the Hungarian and European digital archives.

    15cm by 7.5 cm, smooth with high contrast from the original plate. Veros in manuscript the artists name, Hungary, 1934, woodcut. A little age but really a super example.

    Rare well executed art deco bookplate from named European artist.

    $70.00

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  • Le Morte d’Arthur – Sir Thomas Malory – Shakespeare Head Private Press Limited Edition 1933

    Le Morte d’Arthur – Sir Thomas Malory – Shakespeare Head Private Press Limited Edition 1933

    Full title … The Noble & Joyous Boke Entitled Le Morte d’Arthur Nothwythstondying it Treateth of the Byrth Lyf and Actes of the sayd Kynge Arthur; of his Noble Knightes of the Rounde Table. Theye Merveylous Enquestes and Adventures. Thachyevynge of the Sanc.Greall and the Ende the Delourous Deth: and Departynge out of this Worlde of Them al. Wyche Boke was Reduced in to Englysshe by the Well Dysposyd Knyghte Syr Thomas Malory.

    Two volumes, quarto, number xxx of 350 copies for sale (a further 20 copies were not for sale) with 22 woodcut illustrations. Original binding in terra cotta half Morocco over ivory buckram, flat spines with gilt titling, marbled endpapers, top edge gilt. Other edges untrimmed.

    The revered Shakespeare Head, Saint Aldates Oxford, edition of the most famous of the Arthurian tales, reprinted from and resembling in layout and typeface the 1498 edition of Wynkyn de Worde kept in the John Rylands Library, Manchester.

    Volume I comprises 4 initial blanks; half title; title with limitation on verso; prologus i-iv; table v-xxviii; Fyrste Boke to IX Boke 1-316 with woodcut in each; 3 final blanks. VolI comprises 4 initial blanks; half title; title with note to verso; Boke X – Boke XXI 1-373 with woodcuts to each and a further one in Boke XXI; notes 3; 3 final blanks. All as should be.

    Written in the 15th century by Thomas Malory the sweeping Mort d’Arthur includes the youth of Arthur, the romance of Guinevere and Lancelot, the Quest for the Grail, the tragedy of Tristan and Iseult etc.

    This superb work directly tied to the early days of printing in England, with broad margins, quality handmade paper and the impeccably reproduced typeface … all hallmarks of the Shakespeare Head Press.

    The Shakespeare Head Press was started in 1904 at Stratford Upon Avon by Arthur Bullen after he had had a dream about finely printing all of Shakespeare’s works at his birthplace, something that had not been done before. Much of his equipment and initial typeface came second had from William Morris’s Kelmscott Press. After Bullen’s death in 1927 the business was moved to Oxford under its new owners Basil Blackwell and Bernard Newdigate who was the typographer. They continued in the Morris tradition. The building in which they operated was commandeered by the American allies in 1942.

    King Arthur and his Legends and Death – Shakespeare Head Private Press edition.

    $670.00

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