20th Century Classics

Australian Private Press: The Dying Stockman – A Ballad … with Notes by Hugh Anderson and Lino Cuts by Ronald Edwards – No 1 of The Black Bull Chapbooks from The Ram’s Skull Press – Signed Limited No 50 of 75.

This is quite a story. Ron Edwards would eventually be given an OAM for his lifetime of work preserving Australian bush heritage. The Rams Skull Press still exists and is run by Ron’s son out of the Brisbane Valley. Ron himself moved from Ferntree, Victoria to equally beautiful Kuranda behind Cairns before he packed his bags.

This first of firsts printed in hand set Baskerville on Tudor Antique paper by R.G. Edwards at the sign of the Rams Skull Press … Lording Street, Lower Ferntree Fully, Victoria … limitation .. February, 1954.

Comprising music score, illustrated with woodcuts, hand sewn with leather ties, preserved inside original goatskin covers. A few insect nibbles to goatskin, otherwise all in excellent condition.

The verses are The Dying Stockman; Rosin the Beau; The Tarpaulin Jack and The Dying Digger … a bit of dying but they seemed to have had a good life and needed few possessions.

Scarce wondrous Australian bush verses printed on a flat bed everything by hand – dressed in goat skin.

$190.00

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Norman Lindsay – Redheap – ABC Script to the 1972 Production – part of a theme “Norman Lindsay Theatre” broadcast in that year.

A distinguished cast was assembled including Kate Fitzpatrick as Hetty, Peter Flett as Robert Piper, John Waters, June Salter etc many who went on to have long television careers and also Pamela Stephenson (now Lady Pamela) as the raunchy Millie Kneebone.

Typescript foolscap – 138 pages, normal wear through use but in perfectly acceptable condition for its type. The odd note and doodle on the back of some pages …. Waiting in television can be a drain.

Adapted from Norman Lindsay’s famous novel Redheap. Famous for being banned in Australia – published in 1930 by Faber in London it was not allowed in Australia until 1958! A bit naughty seemingly but more so because Readheap is really the town of Creswick and the characters were well real people displaying their real lives and inhibitions. Seemingly, Norman used his bothers diaries for research – the family could well have been involved in the ban.

The “rehearsal script” here for sale makes for a good read with all the extra colour that is added from the flat novel. Front page described as EP 2 but content flips back and forward with scenes from episodes 1,2 and 3 maybe predominantly 2 – not sure. Makes for a lively reading with accidental flash back and forward – if you understand that process.

A most interesting and scarce piece of Lindsay ephemera that you are likely to come across.

Readheap – not for the town of Creswick – Lindsay at his most provocative.

$390.00

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Jack Maggs – Peter Carey – First edition

A first edition published by the University of Queensland Press in 1997. Large octavo, 392 pages, a little evenly toned we think, otherwise unblemished in a super dust jacket.

Carey’s Jack Maggs is straight out of Dickens and the characters and homage are clear to the end. Much admired for that literary daring.

Jack Maggs returns to London from Australia in 1837. He needs to be careful as his departure from London had not been at his own pleasure. He has a clear and honourable objective … but its not that simple.

Peter Carey in the manner of C.D. with Maggs

$35.00

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My Life as a Fake – Peter Carey – First edition

Peter Carey had already won the Booker Prize twice, and other literary awards before he released “My Life as A Fake”.

Published by Knopf, Sydney in 2003. A first edition in great condition. Octavo, 280 pages, rough cut edges (trendy) as published. Unusual endpapers one half Kuala Lumpur image [as with the dust jacket] other stark pink.

Whilst given an international mystic flavour this book is partly based on the real life faking of the poet Ern Malley by the promotors of the superb Angry Penguins. Not only was the poet Ern Malley a fake he was also considered a bit rude which got the inventors into a little bit of trouble and consequently financial difficulty.

Back to Carey and we have the works of Bob McCorkie entirely the invention of Christopher Chubb who wants to teach the pretentious a lesson. There is a twist though and it has something to do with the phrase Voyager has some difficulty truly understanding … “be careful what you wish for”. When we say twist – it is Peter Carey so more to it that that.

Peter Carey First edition – maybe our favourite.

$60.00

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Crime Fiction 1749-1980 – A Comprehensive Bibliography – Plus 1981-1985 Supplement – Allen J. Hubin

Bibliographies in print; so much easier and fuller in satisfaction than online look-up – the latter’s ease offset by growing unreliability. There is a saying in the trade – if its Crime it has to be Hubin.

Two solid volumes only really suitable for domestic purchase. Original editions in their expected green cloth covered bindings – title in gilt to front and spine. I trifle aged in the end papers otherwise a nice set.

Suggestion for the dullest party game of all time – “think of a crime novel not in Hubin” … can last for hours.

Voyager thought he had all the Simenon Maigret in his collection – not so – 126 different issues recorded – [not sure of the duplicates – not as many as you think] – so we are not even half way there!

Hubin – essential reference for all crime story devotees .

$80.00

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A Season in Hell – Arthur Rimbaud – special edition – c1930

With and introduction by George Frederick Lees. No date but circa 1930.

Small octavo, 78 pages, dust jacket shelf worn, chipped edges, fading to spine. Title page printed in red and black, limited to 600 copies. Previous ownership details on free end paper, still a pretty good copy of a sought after Rimbaud translation.

Arthur Rimbaud (1854-1891) a unique poet and writer, often described as the ‘Father” of modern poetry. This was his masterpiece. A long prose poem recording his spiritual revolt and struggle. Originally published in 1873.

If you are not familiar with Rimbaud, then you should get to know him. How could someone experience so much so early in life? Set out in nine parts of varying length differing markedly in tone and ease of understanding. Persevere though as here we have a sure piece of genius. At the time of writing Rimbaud had been through a tempestuous homosexual relationship with poet Paul Verlaine. Ending the relationship Verlaine shot Rimbaud and was imprisoned. Rimbaud went to London and took to opium and gin … returning to France to finish and publish A Season in Hell. He never wrote again after the age of twenty years. He then became a merchant and explorer overseas and sadly died of cancer at the age of 37.

Arthur Rimbaud’s Hell – such an influence

$60.00

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Australian Private Press: The Dying Stockman – A Ballad … with Notes by Hugh Anderson and Lino Cuts by Ronald Edwards – No 1 of The Black Bull Chapbooks from The Ram’s Skull Press – Signed Limited No 50 of 75.

Norman Lindsay – Redheap – ABC Script to the 1972 Production – part of a theme “Norman Lindsay Theatre” broadcast in that year.

Jack Maggs – Peter Carey – First edition

My Life as a Fake – Peter Carey – First edition

Crime Fiction 1749-1980 – A Comprehensive Bibliography – Plus 1981-1985 Supplement – Allen J. Hubin

A Season in Hell – Arthur Rimbaud – special edition – c1930

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